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Although Flash movies can be scaled to almost any size, you still need to set the initial working size of the Stage to set the correct proportions. We suggest that you set your Stage size to the final size that you intend your movie to be for simplicity s sake, as we do. We re also going to follow some conventional Flash wisdom here and have you create two layers in your Timeline: one for the form controls that you create on the Stage and one that just holds all the ActionScript code that you write. This is not strictly necessary, but it really helps organize your code and separate it from everything else. To set the dimensions of the Flash Stage and set up the Timeline with two layers, follow these steps: 1. In the Properties palette, which enables you to interactively modify the properties of the currently selected object, click the Size button. The Size button always displays the current Stage size as its label. 2. Set the size of the Stage to 360w x 250h by editing the width and height fields and then clicking OK. 3. Double-click the name of the current layer in your Timeline (it is named Layer 1, and it is located in the upper left corner of your screen), type the name components, and press Enter. 4. To create the second layer, click the tiny page icon with the plus symbol in the lowerleft corner of the Timeline. It is initially named Layer 2. 5. Double-click the name Layer 2, type the name actions, and press Enter. 6. Choose File Save from the Flash menu bar and name your Flash movie Company.fla. Now that the Stage and Timeline is configured the way that you want it, you can create the form controls.

Three kinds of text objects are in Flash: Static, for plain text such as the field labels that you re about to create; Dynamic, for text that you can programmatically change the value of but can t manually enter; and Input, for data manually entered by a user. To create the field labels for your application, follow these steps: 1. In Flash, select Frame 1 of the components layer by clicking the frame. You should always have Frame 1 of the components layer selected before you create, modify, or paste any form elements in your Flash movie. As you learn more about Flash and start programming its elements behaviors, you see how organization in layers becomes very important, so you want to start with some good habits. 2. Select the text tool, which looks like a capital A, from the Tools palette. 3. Click the approximate location where you want the Choose Company label to appear. Refer to Figure 26-2 for guidance in placing the label. 4. Type Choose Company, click the solid-black pointer tool in the Tools palette, and drag the label into place. 5. Choose Static Text from the drop-down list in the Properties palette. 6. Repeat steps 2 through 5 for the other field labels, typing the correct text for each label.

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psychophysical and neurophysiological data. Additionally, recognition of identity is reduced by discarding the outcome of the DF module from the similarity function for example, going from Eq. (8.2) to Eq. (8.1). These motion features could also be used to construct a motion-based feature-space for the recognition of identity and expression. Motion may be used as an alternative, independent means for identifying people and expressions. In computer vision, reasonable results have been obtained by constructing feature-spaces based solely on motion cues. These results could ultimately be used to reinforce the recognition task, or help to make a decision where other processes are not adequate. We have demonstrated the use of our model to classify faces within a set of facial expression categories. We have also experimentally shown that the DF carries the necessary information to successfully achieve this task. By combining the DF and a linear classi er, we were able to predict the classi cation RT of each of the facial expressions of the AR database. Extensions to the classical subspace approach [67] and to the recognition from video sequences [70] show the generality of the model presented in this chapter. Moreover, this chapter has illustrated how one can successfully employ the model de ned herein to make predictions on how the human visual system works predications later con rmed in a set of psychophysical experiments.

Figure 26-3 shows the properties for a typical field label:

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